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1966 Epiphone Sorrento E452T
Thinline semi acoustic


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Epiphone Index
Epiphone Sorrento main page | 1966 Epiphone Sorrento
1966 Epiphone Sorrento
1966 Epiphone Sorrento. Most Sorrentos, like this, were fitted with mini humbucker pickups   1966 Epiphone Sorrento. Backs and sides of guitars in the Epiphone "shaded" finish are a dark translucent walnut brown.   1966 Epiphone Sorrento. By the mid 1960s the Epiphone peghead shape; from a traditional Gibson-style shape to this more curved  design, still Gibsonesque, but with more exagerated curves, and widening out at the far end.   1966 Epiphone Sorrento. Epiphone serial numbers still follow the Gibson numbering scheme, 6 digits stamped into the back of the headstock.

This Sorrento is in good complete condition, with the exception of a missing pickguard. It is in the Epiphone Shaded finish - the equivalent to Gibsons Sunburst. One-pickup models, like this, are more abundant that two-pickup and this is the most widely used finish, with a total of 1386 one-pickup shaded Sorrentos being produced between 1960 and 1969. 1966 was the peak year for the Sorrento, with a total of 577 instruments shipped (in all finishes and pickup configurations).

The guitar shown is equipped with typical hardware for the period: nickel trapeze tailpiece, gold bell-knobs, rosewood free-floating bride. The machine heads used are Kluson MH-320VP with "Keystone" buttons, and the pickup is a mini humbucker.

1966 Epiphone Sorrento. Detail of the Epiphone label inside the F-hole, showing model name, code, and serial number   1966 Epiphone Sorrento case detail.   1966 Epiphone Sorrento.   1966 Epiphone Sorrento. The reverse of guitars with the "shaded" (sunburst) finish were walnut brown.

The key features that differentiate the Sorrento from the Gibson ES125T are the headstock shape, and oval Epiphone neck inlays, and the pickup; a mini-humbucker rather than the black dog-ear P90.

Images courtesey of justgreatguitars.com



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