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 From left to right Hagstrom F-800 eight string bass, Vox Cheetah guitar with built in effects, Gibson EB3 Bass
Latest News! we've now got a classifieds section! Have a look at our vintage guitars for sale. Or sign up, and list one yourself. Basic listings are absolutely free!
There is something special about musical instruments of a certain age. Vintage guitars built from the mid 1950s until the late 1970s are generally held in high esteem; techniques and materials, particularly pre-1970 were vastly superior to todays 'mass-produced' standards. The musical revolutions occuring during this period created the first well-known guitar heroes, and gave their guitars iconic status.
This site aims to be a reference point for guitar players and guitar collectors. There's info, history, photographs and sound clips of many famous, and not so famous guitars and basses by makes such as Danelectro, Epiphone, Fender, Gibson, Guild, Gretsch, Hagstrom, Harmony, Hofner, Rickenbacker and Vox. There is a section on effects pedals too! Check out the vintage guitar advertisements, guitar catalogs, or listen to vintage guitars being played. If you get stuck, try the sitemap or post a message in the forum
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Hagstrom III
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Details, images and sound clips of the Hagstrom III solid body electric. Also known as the H3, and in the United States, the F300. There are obvious similarities to a Fender Stratocaster, but this guitar does have it's own character: in feel, playability and tone. Hagstrom made some very nice guitars!
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Vox Ultrasonic XII - twelve string guitar
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Details and images of the VOX Ultrasonic XII V275. The Ultrasonic XII was a late sixties Vox twelve string based on the six string Ultrasonic V268. Both had the same built-in electronic effects: distortion, wah-wah, repeater and treble/bass boost (listen to Ultrasonic sound clips). Differences between the two models are very subtle; really just a different headstock shape to accomodate the extra strings. This is one of the late sixties Vox guitars made at the E.M.E factory in Recanati, in Italy, primarily for export to the American market.
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Vox Bass Guitar Pickups
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Vox guitar and bass pickups of the 1960s were all of relatively simple single-coil design. The first produced were British-made, and these appeared on all the early British models: The Clubman bass, the Bassmaster, and the Phantom bass. Later models were made in Italy, along with the guitars themselves, and these were largely for the American market, under the distribution of the Thomas Organ company.
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The Shadows Modern Electric Guitar Tutor
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This interesting guitar tuition book featuring the Shadows, is peppered with Vox guitar and amp images. The Shadows themselves used Fender guitars and Vox Amps, but the then-new Vox Phantom guitars and Phantom bass feature prominently. There are also advertisements for a selection of British-built Vox guitars, the Consort, Dominator, Super Ace and Clubman bass. This book is undated, though most likely from 1963.
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1976 Gibson L-6S Custom
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A closer look at a 1976 Gibson L-6S Custom. Maple guitars were all the rage in the mid to late 1970s, and Gibson introduced several models in this vein. The Gibson L-6S range comprised three guitars, with the Custom being the top of the range. It was all Gibson: single cutaway (like a wide Les Paul), set neck, two humbuckers and a varitone switch with several distinct tones. Gibson shipped over 12000 L-6S Custom guitars between 1973 and 1979 and around a third of them were in the ebony finish shown here.
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Vox 1970 Full Line Catalogue
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By 1970, Vox UK was owned by the Corinthian Bank, and the number of guitar models offered had been slashed drastically. gone were all the Italian Vox's; being replaced by a small number of Japanese 'lawsuit' models. This catalogue is aimed at the UK market, with prices in Sterling, and contains just three guitars: the Gibson Les Paul styled VG2, and the Gretsch Country Gentleman styled VG6 and VG4 bass. The catalogue concentrates on amplifiers: AC30, Defiant, Supreme and Foundation bass, and organs: Corinthian, Continental and Riviera.
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